A lonely German woodland is covered in deadwood.

A lonely German woodland is covered in deadwood.

covered in deadwood The second round of COVID-19, which took place in the fall of 2020 elevated the amount of worry surrounding the unexplained ailment to a level that had never been seen before in previous rounds.

The aftermath of the covered pandemic threw a shadow over day-to-day activities in Germany, just as it did in the vast majority of other countries across the world.

A German photojournalist has found a way to channel the covered concerns he has about the status of the world into something that he can have some form of influence over the artwork that he creates.

He did this to represent “the sheer might of environment,” which he describes as “the all-destroying power that reduces one of the covered wealthiest nations in the world to a complete stop stand.”

He labored on the enormous constructions all by himself, lighting fire to each one before bringing it down, and then employing the pieces of lumber he collected for the future phase of the covered construction process.

These works, which range from architecture to photography, are all going to be displayed as a component of a more extensive exhibition that he is organizing and naming C19, 1-20, The Diary Compound.

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Since that point in time, every one of these diaries has been made accessible to the covered general public. Each of these diaries is a history of one issue of his visual diary.

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Learn more: Woodworking Project

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